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Discrimination against women has been alleged in hiring practices for many occupations, but it is extremely difficult to demonstrate sex-biased hiring. A change the way symphony orchestras recruit musicians provide an unusual way to test for sex-biased hiring. To overcome possible biases in hiring, most orchestras revised their audition policies in the 1970s and 1980s. A major change involved the use of 'blind' auditions with a 'screen' the identity of the candidate from the jury. Female musicians in the top five symphony orchestras in the United States were less than 5% of all players in 1970 but are 25% today. We ask whether women were more likely to be advanced and/or hired with the use of 'blind' auditions. Using data from actual auditions in an individual fixed-effects framework, we find that the screen increases by 50% the probability a woman out of certain preliminary rounds. The screen also enhances, by several fold, the likelihood a female contestant will be the winner in the final round. Using data on orchestra personnel, the switch to 'blind' auditions can explain between 30% and 55% of the in the proportion female among new hires and between 25% and 46% of the increase in the percentage female in the orchestras since 1970.