c) O’Keeffe never formally recorded her theories about art.
d) She did, however, leave a long trail of interviews and letters that reveal how she approached her painting practice—and the rituals, experiences, and environments that inspired her.
b) Correspondence with her husband, photographer Alfred Stieglitz, in particular, offers a raw, honest glimpse into O’Keeffe’s creative mind.
a) The two exchanged 25,000 pages of letters between 1915 and 1946, during which time she found her voice as an artist: first, through her flower paintings, and later, through landscapes and surrealistic still lifes inspired by her mountainous, skull-studded surroundings in New Mexico.
